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Why a Linocut Print Comes Out Backward

7th grade nonfiction passage about linoleum block printing: 279 words, six questions, an answer key and vocabulary.

7th grade nonfiction linoleum block printing 279 words

Why a Linocut Print Comes Out Backward

A printmaker who carves a message into a block of linoleum learns a lesson quickly: the picture on the block and the picture on the paper are mirror images of each other. A letter that looks correct on the block will appear backward in the print. Experienced artists plan for this from the very start.

The process begins with a design drawn on the soft, smooth surface of the linoleum. Using small gouges with curved or pointed tips, the artist cuts away every part that should stay white. What remains standing is a raised pattern, like the top of a rubber stamp. The tools are sharp, so careful carvers always push the blade away from their own hands and keep their fingers behind it.

Next comes the ink. A roller spreads a thin, even coat across the raised areas, and the carved grooves stay clean because they sit lower than the roller can reach. A sheet of paper is then laid on top, and the artist presses it down with a spoon, a wooden tool or a small press. When the paper is peeled away, the inked shape has moved onto it. Because the paper touches the block face down, left and right swap places, which explains the reversal.

The real advantage of the method is repetition. One carved block can produce dozens of matching prints, and some artists add a second or third block to layer more colors. Many make a test print before they finish, then carve a little more if a spot looks wrong. In block printing, the carving is permanent, but each print offers a fresh chance to see the work from the other side.

Questions

  1. What part of the linoleum does the artist carve away? in the text

  2. Why do the carved grooves stay clean when the roller is used? in the text

  3. How is the paper pressed onto the inked block? in the text

  4. Why does the picture come out backward on the paper? in the text

  5. If an artist wants a word to read correctly, what must be done on the block? think about it

  6. Why might an artist make a test print before finishing? think about it

Words to know

linoleum
a smooth, firm material that is easy to carve
gouge
a carving tool with a curved or pointed blade
raised
standing higher than the area around it
reversal
a change to the opposite direction
layer
to place one thing over another
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One passage, three levels

The same topic and facts written three ways, so a mixed class can read and talk about one text. Each group’s sheet shows only a shape; the key says which is which.

● Easier · 197 words · Flesch-Kincaid grade 2.3

An artist can carve a picture into a block of linoleum. It teaches a quick lesson. The picture on the block and the picture on the paper are mirror images. A letter that looks right on the block will look backward in the print. So artists plan for this from the start.

The artist draws a design on the soft, smooth block. Then small tools with curved or pointed tips cut away the parts that should stay white. What is left is a raised pattern, like a rubber stamp. The tools are sharp. So careful artists push the blade away from their hands.

Next comes the ink. A roller spreads a thin coat of ink on the raised parts. The carved grooves stay clean because they are lower. Then the artist lays paper on the block and presses it with a spoon or a small press. The paper touches the block face down. So left and right swap places. That is why the print is backward.

One block can make many prints. Some artists use more blocks to add colors. Many make a test print first. Then they carve a little more if a spot looks wrong.

▲ This passage · 279 words · Flesch-Kincaid grade 6.8

A printmaker who carves a message into a block of linoleum learns a lesson quickly: the picture on the block and the picture on the paper are mirror images of each other. A letter that looks correct on the block will appear backward in the print. Experienced artists plan for this from the very start.

The process begins with a design drawn on the soft, smooth surface of the linoleum. Using small gouges with curved or pointed tips, the artist cuts away every part that should stay white. What remains standing is a raised pattern, like the top of a rubber stamp. The tools are sharp, so careful carvers always push the blade away from their own hands and keep their fingers behind it.

Next comes the ink. A roller spreads a thin, even coat across the raised areas, and the carved grooves stay clean because they sit lower than the roller can reach. A sheet of paper is then laid on top, and the artist presses it down with a spoon, a wooden tool or a small press. When the paper is peeled away, the inked shape has moved onto it. Because the paper touches the block face down, left and right swap places, which explains the reversal.

The real advantage of the method is repetition. One carved block can produce dozens of matching prints, and some artists add a second or third block to layer more colors. Many make a test print before they finish, then carve a little more if a spot looks wrong. In block printing, the carving is permanent, but each print offers a fresh chance to see the work from the other side.

■ Harder · 299 words · Flesch-Kincaid grade 8.5

A printmaker who carves an image into a block of linoleum learns one lesson almost immediately: the picture on the block and the picture on the paper are mirror images of one another. A letter that appears perfectly correct on the block will come out backward in the finished print. Experienced artists therefore plan for this reversal from the very beginning.

The process starts with a design drawn onto the soft, smooth surface of the linoleum. Using small gouges with curved or pointed tips, the artist cuts away every area that is meant to remain white. What is left standing is a raised pattern, much like the face of a rubber stamp. Because the tools are extremely sharp, careful carvers always push the blade away from their own hands and keep their fingers safely behind it.

Next comes the ink. A roller spreads a thin, even layer across the raised surfaces, while the carved grooves remain clean because they lie below the reach of the roller. A sheet of paper is then laid over the block, and the artist presses it down with a spoon, a wooden tool or a small press. When the paper is peeled away, the inked shape has transferred onto it. Since the paper meets the block face down, left and right trade places, which fully explains the reversal.

The real strength of the method is repetition. A single carved block can produce dozens of matching prints, and some artists add a second or third block in order to layer additional colors. Many make a test print before they consider the work finished, then carve a little more wherever a spot looks wrong. In block printing, the carving is permanent, yet each print offers a fresh opportunity to see the work from the other side.

Download as one PDF

How to use it

  1. Press Read it big (or B) to put the text on the projector, or Full screen (F) to fill the whole screen.
  2. Ask the questions one at a time and use Show answer when the class has decided. A shows or hides every answer.
  3. Print student copy for the class, or Print with answers for yourself.

Ideas for class

  • Before reading, put linoleum, gouge, raised, reversal and layer on the board with their meanings from the Words to know section and have students predict what the text will be about.
  • Read it aloud once while students follow along, then have them reread it alone or with a partner. At a calm 100 words a minute it takes about 3 minutes to read aloud.
  • Use the Read it big button (or B) to put the text on the projector, and Show answer on one question at a time so the class commits to an answer first.
  • Question 5 asks the reader to infer. Ask students to point to the words in the passage that led them to their answer.
  • Ask students to write one question the passage did not answer, then look for the answer in a book or on a classroom screen.
  • Print the student copy for independent work and keep the answer-key copy for yourself.

Related

Questions

What reading level is "Why a Linocut Print Comes Out Backward"?

It was written for 7th grade. It has 279 words and works out to a Flesch-Kincaid grade level of about 6.8. That is a formula's estimate from sentence length and syllables, and it is not a Lexile or a guided reading level, so check it against your students.

What do the questions ask?

There are six. 4 ask for something the text says directly and 2 ask the reader to work something out from clues. Each has an answer in the key, and the answers are written as a teacher would accept them, not as the only possible wording.

How long does it take to read?

About 3 minutes read aloud at 100 words a minute. For a one-minute fluency check, paste it into the fluency timer and use the word count.

Can I print it?

Yes. Print student copy gives the passage, the questions with lines to write on, and the word meanings. Print with answers gives the same page with the answers filled in. Both are made in your browser.

Is this passage from a published book?

No. It was written for Peabody Teach, so there is no book to buy and no login to read it.

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