Commedia: Masks and Make-Believe in the Square
Hundreds of years ago in Italy, traveling actors set up a simple wooden stage in a town square and began to perform. Their style is called commedia dell'arte, which means comedy of the profession. It became popular in the 1500s, and its ideas spread across Europe.
The actors did not memorize every word. Instead, they were given a rough outline of the plot, and they made up the lines as they went. That meant the troupe had to be quick, and the performers had to listen closely to one another. If one actor invented a joke, the others had to catch it and toss something back.
The characters were stock types that audiences already knew. Pantalone was an old and stingy merchant. Harlequin was a clever servant in a patched, colorful costume, always scrambling to get out of trouble. Many of the characters wore half masks made of leather, so the crowd could tell who they were from far away. Since a mask hides the face, the actors told the story with their bodies, using big gestures, leaps, and tumbles.
Later playwrights and comedians borrowed these ideas. The lovable fool, the sly helper, and the grumpy rich man are still common figures in plays, cartoons, and comedies today.